I Took On Every Writing Gig I Could—Here’s What It Cost Me

There was a moment in my writing career when the offers just kept coming.

I had just transitioned out of television and into the world of feature films. Scripts were circulating, introductions were happening, and before I knew it, I was being asked to join project after project.

On paper, it looked like momentum.
In reality, I was drowning.

Most of the projects came with no budget—just vague and ego-pumping promises:

“We’re going to sell this.”
“You’re going to be the next Todd Phillips.”
“It’s not paid now, but when it goes…”

If you’ve worked in features, you might know exactly what I’m talking about. I was writing high-concept comedies at the time, during an era when movies like Old School and The Hangover were everywhere—and very profitable.

My agent at the time gave me sound advice:
“Only say yes to the ones that truly resonate.”

But I didn’t want to miss a chance. So I said yes.
To everything.

And then the burnout hit.

I was juggling half a dozen scripts—each demanding my creative energy but offering very little in return. I was tired, creatively scattered, and going deeply into debt because I wasn’t getting paid.

That’s how I ended up pivoting into unscripted television.
(That’s a story for another time.)

What I Learned the Hard Way

Being a creative doesn’t mean being constantly available.
Boundaries are part of the craft. So is clarity.

Now, when I coach writers, we don’t just talk about structure and story mechanics—we talk about mindset. We talk about protecting your energy, choosing the right projects, and learning how to say no without guilt.

In my next article on writing, I’ll share three truths I’ve learned about storytelling that changed everything—from how I build a story to how I built a sustainable career.

But for now, I’ll leave you with this:

Where are you saying “yes” out of fear of missing out…
when you should be saying “no” to protect your genius?

📣 Want help getting clear on your story—and your next steps as a writer?

I'm currently working with a small number of writers in my 3-Session Private Coaching Intensive, where we shape your story, refine your pages, and walk through your next steps with confidence.

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Have you ever said “yes” to too many creative projects—and felt the cost?
I’d love to hear how you navigated it.
Share your thoughts or your story in the comments—I read every one.

Warmly,

Danita